![]() Smith went on to try out "Take Me To Church" sped up too, but the result wasn't half as effective as the original and fans found it sounded more like Parton's goddaughter Miley Cyrus.ĭespite Smith's attempt at making a Parton cover of "Take Me To Church" not proving as successful, TikTok user did it in February, writing, in a video that can be viewed here, that they "just accidentally discovered that if you play a Hozier 33 as a 45 you get Dolly Parton." Parton makes Appalachian music, which is deeply influenced by Irish and Scottish music at its core, while Hozier, who is Irish himself, is heavily influenced by folk. Here are four of his noted favorites.To I’m absolutely shooketh in my bloomin’ pantaloons y’all #hozier #dollyparton ♬ original sound - Danielle SmithĪs noted by many fans, the similarity between the surprising pair likely comes from the Irish folk influence they both have in their music along with a whole load of coincidence. Most famously, he had a golden ear for finding uptempo Hi-NRG disco tunes and modulating them to create slow-burning, chuggy, cosmic groovers. But he was most known for searching out wrong speed records. ![]() He was full of surprises, creatively blending wildly divergent genre and adding strange effects. The pioneering creator of the “Cosmic Disco” sound, DJ Daniele Baldelli led the mid-’80s Italian club scene and was famous for his adventurous and experimental approach to the booth. Thanks Daniel T for the recommendation! Daniele Baldelli UFO eventually became one of the most sampled songs in hip hop - and was even pressed at the wrong speed when it appeared on the classic 90s “Ultimate Breaks & Beats” comp series. In doing so, they tapped a sound that predates the sluggy, bass-driven DJ Screw chopped-and-screwed motifs to come. It caught the ears of RZA, who made it a live Wu-Tang staple. Here is a list of some classic “wrong-speed” records and a few of our personal favorites.Īn absolute B-Boy classic, early NYC Hip Hop heads clung to the funky breakbeat rhythms of Bronx outfit ESG and found gold when they played their UFO single at 33. In some cases, these experiments spawned completely new genres. ![]() In the process, they discovered entirely new songs within them. Whether by happy accident or not, adventurous DJs like Daniele Baldelli and Larry Levan - and eventually vinyl culture as a whole - caught on to the trick and began tinkering with wrong speeds. Most often, record selectors forget to switch to the correct speed and in the process change what would be a normal song with vocals into either a psychotically fast Alvin and the Chipmunks cover or a painfully slow Isaac Hayes rendition. Artists and labels can break tradition and press a 12-inch at 33 or an LP at 45 and when that happens unprepared DJs have to deal with the consequences - or experiment on the fly. You’re well aware of what the speed controls on a turntable are, but real quick: A record player usually has 2-3 speeds: 33 1/3 rotations-per-minute for LPs, 45 rpm for 7-inch and 12-inch singles and, if it’s from before 1950 or so, a 78 rpm setting. Whether pitched up, down or at the wrong rpm entirely, sometimes the wrong speed on a turntable can completely transform a song - for the better. ![]()
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